Tag: Love Island

Free Will, part 6

crimson

My last post may have not been as clear as I wanted it to be. This post, hopefully, will be better.

I have spoken much about love in previous posts. My view on what love is and how it operates is definitely not shared by many. In fact, my own partner doesn’t agree with my viewpoint. As she has stated to me recently, I tend to be rather serious and listening to me often gives her existential dread. For this, I sincerely apologize. Honestly, I wish I didn’t think as I did or know what I know.

I have also been watching the series Rick and Morty lately, and recently finished the season 2 finale. During the episode, brief snippets of Hurt, as performed by Nine Inch Nails play. Most people seem more familiar with Johnny Cash‘s cover of the song, but I have always preferred the original.

So much for being more clear. With this background, I will attempt to tie everything together now.

Faith, I believe, is a manifestation of free will. And, as I have stated before, love is a a choice, which is another way of saying it is an expression of free will. That is, I exercise my free will (assuming it exists) when I purport to love someone. I chose to be in love, in some sense. When I express this, I am also manifesting faith, specifically my faith in the fact that my feelings for my partner are genuine and true and sincere. I have no way of proving myself; there is no evidence that can be provided to prove whether I love or do not love someone. When I express my love, it will be up to me to convince those around me that my love is true and genuine. If I fail in this task, then others will suggest my love is not love at all, regardless of my own feelings on the matter. This can be particularly challenging with respect to my partner; if she does not believe that my love is true, then our relationship is likely to fail.

On the reality show Love Island, there are many characters who purport to love other characters. Is their love genuine? There is no way to be sure, because there is no evidence that can be provided to clarify such a claim. The best we (as the audience) can do is witness the character’s actions and choices to see if they are consistent with how we believe a person in love would behave. The immediate challenge you should be thinking about presently is that it entirely depends on the definition of love of the viewer, and you would be correct to express this concern.

In the episode of Rick and Morty I have described above, Rick repeatedly suggests to everyone that he does not love Morty, nor the rest of his family. However, his actions and behavior is inconsistent with what most viewers would consider to be evidence of love. As the song Hurt plays, Rick is performing self sacrificing acts, allowing himself to be apprehended by the Galactic Federation. Furthermore, he suggests that it is his son-in-law who is to be rewarded in his capture, suggesting that his family is to be protected and returned to Earth safely. It is interesting to me that the lines “and you could have it all, my empire of dirt” play in this situation, considering the fact that Earth is often referred to as a ball of dirt floating about the cosmos, and considering the fact that Rick is purported to be the most intelligent (and possibly most powerful) entity in all the multiverse. The lyrics seem to be suggesting that Rick is willing to sacrifice absolutely everything to save his family. The lyrics also seem to suggest his reasons for doing so are with his realization that he has been causing great harm and pain upon those he loves (“I will let you down, I will make you hurt”).

Back on Love Island, most of the characters suggest their entire reason for being at the resort is to find true love. Yet they spend their time holding back from throwing themselves into their respective relationships. It is true that throwing one’s self into a relationship where their partner does not reciprocate their feelings can end in a great deal of pain, however, holding back can (and seems to often) result in just as much pain. Stringing someone along, in hopes that it will somehow work out, generally created even more drama and pain than if those same people simply made a commitment to each other and were honest with their feelings, both with their partners but also with themselves.

The characters of Love Island do NOT have faith in themselves, nor in their relationships. They choose not to exercise their free will nor choose their partners. It seems to me that they prefer to place their hopes and dreams in some “higher power” to magically create that perfect relationship that they wish they could have. They have the power to make themselves (and their partners) happy, but instead choose not to exercise their power.

I am reminded of discussions in my Philosophy of Science class from over a year ago. How some philosophers and scientists believe that the world exists and most things must be discovered in it. That the purpose of science is discovery. However, there are those, like myself, who believe that these things are not out there to be discovered. We create them. We create everything. The world is a reflection of our collective will and our collective actions. And I am not restricting this to just human will or human action; I am suggesting all will and all action, including the will and action of my pet rabbit Jasper, or even of the mosquitoes that annoy us during the summer.

Simone de Beauvoir and the other Existentialists suggested that there was no inherent meaning or purpose in the world. Any meaning or purpose had to be given by a will. A will demonstrates meaning or purpose through action. By making choices, and acting in accordance to those choices, we all generate the meaning and purpose in all the world. And this is why I say that the world is simply a reflection of us all.

Rick’s greatest power in his world may simply be his willingness to act and make choices at all times. He decides for himself, at all times, and his actions tell a story far and beyond the words he may speak. The characters in Love Island, it seems to me, follow a similar pattern, though those characters seem to do the opposite of Rick, rendering them impotent and unsatisfied. Rick has faith. The characters of Love Island do not.

Free Will, part 5 – Love Island

crimson

My partner refers to the television reality show “Love Island” as a guilty pleasure. She recognizes that the show is likely fabricated and entirely ridiculous. However, she finds it entertaining and enjoys watching it none the less. She pointed out to me recently that her desire to watch this show is similar to my desire to watch Marvel movies, which are equally ridiculous and pointless. I think she is right about this.

Having said all of that, I think Love Island can demonstrate some interesting ideas, just as Marvel movies do as well. I made reference to the Loki television series and how it related to my topic of free will, and now I will do the same with Love Island.

Love Island is purported to be a show where its participants stay in a resort with other participants with the ultimate goal of developing deep, meaningful relationships with each other. It is classified as a reality show because the participants are supposed to be real people, who are simply recorded in their unscripted interactions with the other people in the resort. It is meant to be a true and honest reflection of reality. However, it has been my experience that very, very few reality shows are remotely related to reality. I believe Love Island, for example, is quite scripted and that the participants are simply performers fulfilling the desires of the show’s producers. As such, everything I am about to describe is from the perspective of recognizing that the participants are simply characters in a story that is loosely scripted (significantly improvised), and that the story is intended to take place in a reality that is virtually identical to our own. So much so, in fact, that one could search out these characters by the names they are given in the story, and will be able to find them in our reality. Of course, upon find those people in our reality, one may be surprised to find that they are not exactly as presented in the Love Island story.

The participants are brought to “The Villa,” a resort where all their needs are met. They have food provided to them, and likely often prepared for them. They have accommodations, including washrooms, beds, and even shelter from the rain. They bring their own clothing and personal items, though it would not surprise me if some of those items happen to be provided by the show as well, similar to a spa providing a robe and slippers for a client’s stay. The resort is a seeming paradise, where the characters have no actual responsibilities beyond propelling the storyline.

Propelling the storyline is done by developing relationships with the other characters. The intended goal, as establish earlier, is to develop deep, meaningful relationships. As the title suggests, the characters are there to “find love.” To go about this, the characters have to “couple up” with each other in heterogeneous partnerships, and about once a week, they are given the opportunity to alter their partnerships in order to better satisfy the goal of developing those deep, meaningful relationships. If a character is unable to “couple up” during these opportunities, they are removed from the resort. There are also other “twists” to the story that can sometime add more characters to the story, or remove them.

One of the first things I would like to comment on with regard to this setup is that it is not outright established that the couples need to be heterogeneous. It is assumed. I have said on a number of occasions that it would be a very interesting twist in the story if a girl were to choose to couple up with another girl, or a boy with another boy. However, a friend pointed out to me that in a previous season of this show, a character was quietly removed from the show when it came to light that he might be bisexual. This might suggest that the producers of the show are against relationships that are not heterogeneous. This, by itself, is a disturbing feature of the show. It would be far more realistic if the possibility existed for couplings that were other than heterogeneous. This comment is a bit of a tangent, but I feel significant enough to point out. It also is suggestive of a deterministic structure in the story. That is, this is one example of where the characters are restricted in their choices, removing an element of free will from them during the story.

The heart of my discussion regarding Love Island is the nature of how the characters are observed to attempt establishment of deep, meaningful relationships. Clearly, despite being coupled up, the characters are often freely encouraged to interact with other characters outside their coupling in order to see if those other characters might make more suitable partnerships. Some of the characters take this opportunity further than others. In fact, most of the characters suffer from a perspective regarding love that I refer to as the Bigger Better Deal (BBD). That is, the characters are trying to find other characters that will afford them the opportunity to develop the best possible relationship, and if it turns out that a newer character might possibly seem to provide that better opportunity, they may decide to terminate their existing coupling to create a new one with the perceivably better character.

It is this viewpoint that I believe is the greatest weakness in the storyline, and in the characters. It is also this viewpoint that I think most closely reflects the idea of faith. It is a very complicated and confusing example of faith, but I will argue it is faith, none the less.

The characters use various information regarding other characters to help them decide who potentially will make the best possible partnership. They clearly use physical appearance as the most important feature to help them in their decision making, supplementing other information they gain through their varied interactions in the resort. Some of the characters seem to be happy to pursue other characters, but once having establish their coupling, they quickly lose interest and begin pursuing other characters immediately. Some characters restrain themselves from developing their relationships with those they are coupled with, on the possibility that another character might produce a better connection. In many cases, the characters will restrain themselves indefinitely, on the chance that a new character that has yet to be added to the story might possibly be a better match. This is the heart of the BBD.

By following the BBD, the characters are always on the look out for a better possible partnership. Never satisfied with any existing partnerships they may find themselves in, their eyes and senses are constantly searching out other relationships with other characters, including characters they have not yet met because they have not yet been added to the story. In following this perspective, the characters are doomed to never find their ideal match, as they are never spending sufficient time and attention on their current partnership. Their eyes wander, and in wandering, their potentially best possible relationship will never be achieved.

The simple solution to this dilemma would be for the characters to adopt a different perspective. Instead of believing in a situation that will happen to them where another character will simply and spontaneously present themselves as the best possible candidate for an ideal partnership (sometimes referred to as “love at first sight,” or “true love”), it would likely be of benefit for the characters to adopt a perspective where they recognized that relationships with other people are developed through spending time together and focusing on their existing partners. If the characters had faith in their existing partners, and focused on them at the exclusion of other possible BBDs, they might be able to turn their existing relationships into the best possible relationships they could become, developing those deep connections the story suggests is what the characters are aiming for.

In this way, faith becomes a significant part of the story, as does free will. The characters are (allegedly) not being unduly influenced by the producers of the show in their attempts to find deep, meaningful relationships; that is, the characters are permitted to exercise their free will to make choices in order to develop their best possible relationships with other characters. By the characters following a perspective of the BBD, they are presenting a significant lack of faith in the characters they are interacting with; that is, they do not believe that any of the characters presented to them will produce the best possible partnership because there is always the looming possibility that another character could be introduced into the storyline that might possible produce a superior partnership opportunity.

It is also at this point that I would like to acknowledge that there may possibly be a few characters who have recognized the alternative viewpoint. Characters who have decided that their existing partnership is the best possible partnership they are going to be able to produce. These characters are seen periodically talking to themselves, reiterating this claim repeatedly, likely trying to convince themselves that this is the case. While I would like to believe that they are being authentic when they do this, evidence demonstrated by these characters throughout the storyline seems to suggest otherwise. It is always possible I am mistaken regarding this.

Ultimately, as I identified at the beginning of this post, I believe that the entire show is scripted and unduly influenced by the producers. As with the example regarding a seemingly heterogeneous coupling requirement, I believe that the producers of the show have various designs that they utilize throughout the storyline. They imagine how best to present their story, and they provide influence and even basic scripting to the performers to fulfill their designs. I could even discuss the fact that the show is assembled in such a fashion, including with the use of musical scores, to present the performers in certain very specific ways to tell the producers’ story in a very particular way. However, that simple idea could become its own post entirely.

Thus, I believe Love Island is simply a scripted story based on a group of real life people. The scripting is light, but still there, and the real people are the basis of the characters, but the characters clearly deviate from their real sources pretty much immediately. I would very much like to meet one of these reality stars in person someday, simply to establish whether or not the performers believed they were the same as the characters they had portrayed. It would disturb me greatly if they did.

In my next post, I will try to be more focused on the topic of free will and faith. For now, I wanted to take a brief tangent to discuss another aspect of faith that seems to me to exist in a simple television show.